A Perfect Panto Production in Every Way

Cinderella – The Georgian Theatre, Richmond

If ever there were a production to define the very spirit of British pantomime, Richmond’s Georgian Theatre has delivered it this year with Cinderella. In fact, should the dictionary require a visual aid for “pantomime,” the booking link for this dazzling show would be the only suitable illustration.

Now in its 15th year of in-house pantomime, the theatre has truly outdone itself with a sparkling, joy-filled triumph that sets a new standard for festive entertainment.  .

The Georgian theatre is unique in just how close the audience are to the stage, so much so  that you truly feel you become a part of the show itself; you are not just an observer, you are a participant and keenly encouraged to be so by the whole cast. Peppered with local jokes, modern cultural references, nods to current pop music and panto traditions, this show gives the audience reason to bay, howl, boo, laugh and scream with total abandon.

At the heart of this glowing production is Lucy Booton as Cinderella, whose performance embodies everything a panto heroine should be. Booton is beautiful and warm, with a presence that lights up the historic Georgian stage the moment she appears. Her voice, pure and angelic, lifts the musical numbers into something genuinely magical. She offers not just sweetness but a sincere emotional core, grounding the show’s chaos with charm and grace.

Providing that chaos in the best possible way is Matthew Fordy as Buttons, the audience’s immediate favourite. Fordy is a whirlwind of mischief, timing, and irresistible silliness, and his rapport with the crowd is effortless. His developing bromance-like chemistry with Prince Charming is an added delight, producing some of the show’s funniest and most affectionate moments. Fordy’s energy ensures young and old alike have plenty to laugh about.

Jack McGarry steps into the role of Prince Charming with charisma, warmth, and an easy, modern charm. His connection with Buttons gives their scenes a fresh, playful feel, and together they deliver a partnership that feels both spontaneous and heartfelt. McGarry’s performance is often of self-depreciation rather than heroism, making him all the more lovable and no longer just the love rival.

The boos of the night are gleefully reserved for Dan Cockett as the wicked Stepmother, who makes a spectacular meal of every moment on stage. Cockett relishes the audience’s reactions, leaning wickedly into the role with exaggerated villainy, fabulous flair, and a theatrical joy that makes hating him an absolute pleasure. His scenes are deliciously heightened, drawing huge reactions from the crowd.

Sally Ann Staunton’s Fairy Godmother casts her spell with a broad Yorkshire twang and a twinkle both in her eyes and on her wand. She is warm, witty, and commanding—a guiding presence whose every appearance brings a little extra sparkle.

No panto is complete without its Ugly Sisters, and the duo of Joshua Payne and Aidan MacFarlane raise that bar to glorious heights. Over-the-top, spontaneous, completely unrestrained, and doubling as the house band, they deliver a riot of comedy and musical brilliance. Their chaotic charm ensures there’s never a dull moment.

A special mention must go to Dancer Group C—Charlotte, Dan, Gabrielle, Skai-Louise, Sophie and Willow—whose choreography is performed with a professionalism, confidence, and joyful abandon that eclipses many full-time ensembles. Their smiles, precision, and enthusiasm elevate every scene they join.

And then there are the knitted throwings—this year, stars. A true Georgian Theatre tradition, these handcrafted treasures arrive from across the world, even as far as Australia. Their presence is a testament to the affection this unique theatre and its remarkable community inspire, adding another layer of magic to an already extraordinary show.

Written and directed by Jo Mawhinney and  Jake Mawhinney, this year’s production is not only a celebration of 15 years of Georgian pantomimes but arguably the finest yet. Running until January 10th, Cinderella is the perfect antidote to post-Christmas gloom. When January begins to feel a little grey, step into the Georgian Theatre and let this sparkling spectacle restore your warmth, laughter, and joy.

Tickets are available from https://www.georgiantheatreroyal.co.uk/Whats-on/Pantomime or by calling 01748 825252